MFA, Goldsmith’s College, London, UK

BA, Columbia University, New York, NY

Klemens Gasser & Tanja Grunert, Inc., New York, NY
Galerie Barbara Thumm, Berlin, Germany
Carré d’Art – Musée d’Art Contemporain de Nîmes, Nîmes, France
Witte de With, Rotterdam, Netherlands
Alon Segev Gallery, Tel Aviv, Israel

Lower East Side Print Shop, Benefit Etching edition of 75, New York, NY

Part I (Drawing)” Sandroni Rey, Los Angeles, CA
“Part II (Video)” Sandroni Rey, Los Angeles, CA
“Fade to White”, Vita Kuben, curated by Annee Olofsson, Umeå, Sweden
Galerie Nathalie Obadia, Paris, France
Mario Diacono, Boston, MA

Klemens Gasser & Tanja Grunert, Inc., New York, NY
Kunsthalle Bern, Bern, Switzerland

Klemens Gasser & Tanja Grunert, Inc., New York, NY

Profounders Gallery, Helsinki, Finland

Helsinki City Art Museum, Helsinki, Finland
Magazin4, Bregenz, Austria
Marianne Boesky Gallery, New York, NY

Access All Areas, Galerie Max Hetzler, Berlin
Compass in Hand, Museum of Modern Art, New York, selections from the Judith Rothschild Foundation
Keeper of Light, Sandroni Rey, Los Angeles
Salon du Dessin 2009, New Galerie De France, Paris, curated by Catherine Thieck
History of Violence, Haifa Museum of Art, Tel Aviv, Israel, curated by Hadas Maor

Imprisonment, Kunst-Werke Institute for Contemporary Art, Berlin
Diana and Aktaion – The Forbidden Sight Of Nudity, Kunst Palast Museum, Düsseldorf

Drawing, Florida State University, Tallahassee, FL
Delicatessen, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, FL
Automatic, Franklin Parrasch Gallery, New York, NY
“Tease: Works on Paper”, Mireille Mosler, Ltd. New York, NY
“Bodies of Desire: Works on Paper by Willem de Kooning and Chloe Piene”, curated by Klaus Ottman, Locks Gallery, Philadelphia
"Chloe Piene and Jeppe Heim," Le Musée des Beaux-Arts, Nîmes, France
“Zwischen Zwei Toden (Between the Two Deaths)," curated by Felix Ensslin and Ellen Blumenstein, ZKM, Karlsruhe, Germany
Haifa Museum of Contemporary Art, curated by Hadas Maor, Haifa, Israel

"Street: Behind the Cliché," Witte de Withe, Rotterdam, The Netherlands
"I Walk the Lines," Barbara Thumm Gallery, Berlin, Germany
"Nouvelle fabriques d'images et de sons," Frac Limousin, Limoges, France
"Realm of the Spirit," Mike Weiss Gallery, New York, NY
"This is Not a Love Song," Susanne Vielmetter Los Angeles Projects, Culver City, CA
"Streams of Story," Tramway, Glasgow, Scotland
"Beautiful Stranger," Belgrade, Serbia
Cluster, Participant Inc., New York, NY
ARS06, Kiasma, Helsinki, Finland

New Video, Neuer Berliner Kunstverein, Berlin, Germany
Printemps  de Toulouse Festival, Musee des Les Abbattoirs, Toulouse, France
Drawings, Musee St. Etienne, St. Etienne, France
“No Ordinary Sanctity,” DeutsheBank and Thaddeus Ropac, Salzburg, Austria
“Old and New Dreams,” Artprojx, London, England
Split Subjects, De Appe, Amsterdam Netherland
“Getting Emotional”, Institute of Contemporary Art, Boston, MA
“Le Melange des Genres – Creatures Hybrids et Mysterieuses,”
Musee des  Beaux Arts de Rouen, Rouen, France
 “Works on Paper”, Galerie Max Hetzler, Berlin, Germany
“Contemporary Erotic Drawing” Aldrich Museum, Ridgefield, CT
 “Will Boys Be Boys?” Museum of Contemporary Art, Denver, CO, CAMH, Houston, TX, and Salinas Art Center, Salinas, KS
“Vertiges” Les Abattoirs, Toulouse, France

“Noctambule” Fondation Dosne - Bibliotheque Thiers, Paris, France
“Boys Behaving Badly” Contemporary Arts Museum, Houston, TX
“Thriller” Edmonton Art Gallery, Edmonton, Canada
Whitney Biennial, Whitney Museum of American Art, New York, NY
“Esprit” Galerie Nathalie Obadia, Paris, France
“Videodrome II” Bates College Museum of Art, Lewiston, ID
“Videodrome: 27 International Artists” Klausner Gallery, Los Angeles, CA

“Me and More” Kunstmuseum Lucerne, Switzerland
“Lust and Leisure” Voges and Diesen, Frankfurt, Germany
“Paradigms” Longwood Art Gallery, New York, NY
Art Unlimited, Basel Art Fair, Basel, Switzerland
“Love and Hate” Ursula-Blickle-Stiftung, Germany
“Losing It” Fenton Arts Gallery, Cork, Ireland
“Video Topiques” MAMCS, Strasbourg, France

Liverpool Biennial, Tate Liverpool, Commission by FACT, UK
“Videodrome”, New Museum of Contemporary Art, New York, NY
“Inside the Whale”, Klemens Gasser & Tanja Grunert, Inc., New York, NY

“Tattoo Show”, Modern Art, Inc. London, UK
“Legitimate Theatre”, Los Angeles County Museum of Art, Los Angeles, CA
“Anxiety Disorder”, Galerie Voges + Diesen, Frankfurt, Germany

“New Video”, Barbara Gross Galerie, Munich, Germany
"Her(s)", Johanneum, Graz, Austria

Museum of Contemporary Art, Los Angeles, CA
Museum of Modern Art, New York, NY
Whitney Museum of American Art, New York, NY
Walker Art Center, Minneapolis, MN
Herbert F. Johnson Museum, Cornell University, Ithaca, NY
San Francisco Museum of Modern Art, San Francisco, CA
Fonds national d’art contemporain, France
Fonds régional d’art contemporain Haute-Normandie, France
Fonds régional d’art contemporain, Limousin, France
Centre Georges Pompidou, Paris – Musée national d’art moderne/ Centre de création industrielle
Sammlung Hoffmann, Berlin, Germany

Financial Times Deutschland, "Geballte Entladu" by Ina Lockhart, September 26, 2008
Afterart, "Chloe Piene’s New Skullptures" review by Tim Maul, July 11, 2008
Time Out New York, Review, “Chloe Piene” by Anne Doran, June 4, 2008
Hellbound, Edited by Francesca Gavin, Laurence King Publishing, London, 2007

“Chloe Piene, At Hand”, Barry Schwabsky, Carré d’art – Musée d’art contemporain de Nîmes, 2007
Hellbound, edited Francesca Gavin, Laurence King Publishing, London, 2007
Frozen Tears III, edited John Russel, Central Books, London, 2007
Monopol Magazine, “Chloe Piene”, Oliver Koerner, October, 2007
Style Magazine Berlin, “Chloe Piene”, Marcus Woeller, page 125, March, 2007
Spike Art Quarterly, Review, “Chloe Piene at the Witte de With”, Ines Gebetsroither, page 90-91, May, 2007
Ice Cream: Contemporary Art and Culture, Phaidon Press, London, 2007
Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer 2007
Harvard Review #32, Cambridge, MA, 2007
Philadelphia Weekly, “Double Exposure”, Carmen Winant, January 31, 2007
Haaretz, “The American Nightmare”, Smadar Sheffi, January 24, 2007
Haaretz, “Desire Strong as Death”, Uzi Zur, January 23, 2007
Time Out Tel Aviv, “Thuggery”, Lea Abir, January 12, 2007

ARTnet Magazine, “Provocative Realism”, Donald Kuspit, December 18, 2006
ARTnews, “Making Skin Crawl”, Hilarie M. Sheets, page. 102, 104, September, 2006
ID Magazine, “Chloe Piene: Bite the Bullet”, Melissa Gronlund, page.36, June/July 2006
ARTnews, “The Big Draw”, Hilarie M. Sheets, page 98-103, January, 2006
Phonecall, Chloe Piene, One Star Press, Paris, 2006

Modern Painters, “Chloe Piene”, Joshua Mack, November, 2005
L’Humanité, “Toulouse s’abandonne aux ‘Vertiges”, Magali Jauffret, September 27, 2005
Libération, “Youlouse Art-Corps”, Brigitte Ollier, September 27, 2005
Le Figaro, “Chloe Piene, La Centaure”, Valerie Duponchelle, page. 12, September 9, 2005
Télérama, “Chloe Piene”, Adrienne Farb, page. 90-91, September, 2005
Printemps de Septembre à Toulouse, Volume 2: “Vertiges”, Les presses du reel, September, 2005
Artdaily.com, “Artists ‘Getting Emotional’ in a New Exhibition”, August 30, 2005
NRC, “Bellenblaas uw tekening gerust”, Marianne Vermeijden, August, 2005
Art Actuel, “Que d’émotions!”, John Peter Brakewood, July/August, 2005
Vogue Italia, “Chloe Piene Cut Through”, Mariuccia Casadio, page 359-364, July, 2005
The Boston Globe, “Sweet Emotion”, July 12, 2005
IN Newsweekly, “It’s Totally Gay, Sort Of”, Dan Delgado, page 14, July 27, 2005
Sunday Advocate, “Defining Eroticism in a Techno-porn Consumer Culture”, L.P. Streitfeld, July 10, 2005
Masculinities, Neuer Berliner Kunstverein, Berlin, 2005
Artdaily.com, “Contemporary Erotic Drawing  at The Aldrich,” June 8, 2005
Boston/NE Gallery Guide, “Spotlight: Getting Emotional”, May 2005
Boston Magazine, “Sweet Emotion”, Steve Jermanok, page 245, May, 2005
Museums Boston, “Tear Jerker”, page 24, Spring/Summer 2005
Le Monde, “Les Corps Déchirés de Chloe Piene,” by Philippe Dagen, April 30, 2005
Egon Schiele, catalog essay, Neue Galerie, New York, 2005
Walker Museum of Contemporary Art, Catalog of Collection and New Acquisitions, 2005
Rocky Mountain News, “Personal Experience Filters ‘Boys’,” by Voelz Chandler, Febuary 18, 2005
“Vitamin D”, Essay by Barry Schwabsky, Phaidon Publishing, 2005
Houston Press, “Hot Ass Art” by Steven Devadanam, January 27, 2005

Issue Magazine, “Petit Mort,” Issue 8, Fall 2004
New York Magazine, “Show and Tell”, p. 136, November 29, 2004
Flash Art, “Noctambule” by Craig Garrett, p. 60 October 2004
Houston Press, “In the Male”, Keith Plocek, August 5, 2004
See Magazine, “Visual Arts Review: Thriller” by Natasha Mekhail, July 8, 2004
“Perspectives 142: Boys Behaving Badly” Catalog, Contemporary Arts Museum Houston, p. 12 – 13 June 2004
Tema Celeste, “New York 03-13-04” by Dan Cameron and Arthur C. Danto, p. 48-57 May – June 2004
Flash Art, “Whitney Biennial 2004: A Good Looking Corpse” by Melissa Dunn, p. 63, 80 May – June, 2004
Saint Louis Times, “Art's Really Big Show” by David Bonetti, May 2, 2004
Columbia News, “Six Columbia Alumni Selected for Whitney Biennial” by Kristin Sterling, April 2, 2004
Arte, “Alla Biennale del Whitney: Torna la Pittura” by Renato Diez, p.104 – 111, April 2004
The Brooklyn Rail, Cover Art and “2004 Whitney Biennial” by Megan Heuer, p. 17 April 2004
Neue Zürcher Zeitung, “Die neue Bescheidenheit” by Andrea Köhler, March 25, 2004
Arts Journal.com, “Modern Arts Note’s Five Fave Young Biennialists” by Tyler Green, March 24 2004
The New Yorker, “What’s New: The Whitney Biennial” by Peter Schjeldahl, p. 100-101 March 22, 2004
The Globe and Mail, “Art in a Tremulous Time” by Sarah Milroy, Mar 17, 2004
Philadelphia Inquirer, “Art: A View From The Front Line” by Edward J. Sozanski, March 14, 2004
slate.msn.com, “Over the Rainbow: What's on view at the Whitney Museum's escapist, moderate 2004 Biennial”, Mia Fineman, March 12, 2004
The New York Times, “Touching All Bases at the Biennial”, Michael Kimmelman, Arts page 1, 38, March 12, 2004
The New York Times, “Snapshots – and Painting! – From the Cutting Edge”, Daniel Kunitz, March 11, 2004
The New York Times, “Art That Speaks To You. Literally.” by Roberta Smith, Arts p. 30, March 7, 2004                                                                                                                                                                                                         
Le Monde, “Chloe Piene Filme La Nuit en Plein Jour” by Phillippe Dagen, p. 30, February 11, 2004
Basler Zeitung, “Kunsthalle Bern: Chloe Piene”, February 28, 2004
Kunst-Bulletin, “Chloe Piene in der Kunsthalle Bern”, Alice Henkes, February 20, 2004
Le Temps, “Ces pulsions obscures…”, Philippe Mathonnet, February 17, 2004
Bernerbar, “Chloe Piene”, February 12, 2004
Le Monde, “Chloe Piene filme la nuit en plein jour”, Philippe Dagen, page 30, February 11, 2004
Bieler Tagblatt, “Der verführerische Geschmack des Todes”, Annelise Zwez, February 11, 2004
Praxis, “Austellung: Kunsthalle Bern, Chloe Piene”, February 11, 2004
Aargauer Zeitung, “Im Ausnahmezustand”, Barbara Miesch, January 31, 2004
Linth Zeitung, “Ein allzeit verfügbares Studienobjekt” by sfd, January 31, 2004
Der Bund, “Radikale Körperstudien”, Marianne Mühlemann, Kultur p.13, January 30, 2004
Berner Zeitung, “Schwere Lebenstänze in Schwarz”, Konrad Tobler, p. B7, January 30, 2004
“Chloe Piene” Catalog, essays by Bernhard Fibicher and Lee Triming, Kunsthalle Bern, January 2004
Artforum, Preview, “Chloe Piene, Kunsthalle Bern”, Frances Richards, p. 80, January 2004
Museums Magazines New York Edition, Cover Art, 2004
Museums New York, Art Beat, page 17, Winter 2004
Museums New York, Museums Collection, “Activist Trustee: The Judith Rothschild Foundation” p.4, Winter 2004

 

“Love Hate”, Ursula-Blickle-Stiftung Gallery Catalog, 2003
Die Wochenzeitung, Review, by Edith Krebs, August 28, 2003
Art in America, Review: “Chloe Piene at Klemens Gasser & Tanja Grunert”, Nancy Princenthal, p. 91-92 July 2003  
Art Press, News: “Chloe Piene” by Charles-Arthur Boyer, p. 68 – 69, June 2003
Flash Art, Review: “Chloe Piene, Gasser & Grunert” by Maika Pollack, p. 90, May/June 2003
Artforum, Review: “Chloe Piene, Klemens Gasser & Tanja Grunert” by Frances Richards, p. 168 - 169, May 2003
New Yorker Magazine, Chelsea Art Galleries, “Chloe Piene at Gasser & Grunert”, March 14, 2003
Irish Times, Reviews: “Losing It” by Mark Ewart, March 2003
Art in Ireland, “Losing It” March 2003
The Examiner, “Losing it lets it all hang out” March 2003
Flavorpill.net, New York Art, “Chloe Piene at Gasser & Grunert”, Paul Laster, February, 2003
Women’s Wear Daily, “Video Stars”, p. 4, January 7, 2003

MAKE Magazine, Interview with Lisa Prior, p. 36 - 37, Special Edition #92, 2002
Cabinet Magazine, Postcard image insert, Self Portrait with Dog, December 2002
Flash Art, “The Liverpool Biennial” by Lee Triming, p. 41, 50, November/December 2002
“Video Topiques” Catalog, Les Musees de Strasbourg, October, 2002
“Liverpool Biennial, Liverpool International” Catalog, Tate Museum, Liverpool, September, 2002
New York Times, “Inside the Whale” by Ken Johnson, February 8, 2002

Smock, “Smock Off the Wall”, video still image, p. 122 – 123, Spring/Summer 2001
Helsinki Sanomat "Kalevala on Voimakas ja Brutaali" by Leena Honkavaara, May 5, 2001
Flash Art, Insider Trading, News, March - April 2001
Los Angeles Times, "A Poignant Intersection of Fantasy and Reality" by David Pagel
Munchen Kultur, "Vorsicht! Weibliches Terrain", by Anne Erfle, February 20, 2001
Munchner Merkur No. 21, “Video”, January 26, 2001

New Yorker Magazine, Shortlist, January 6th-13th, 2000
Frieze, Review: “Chloe Piene at Marianne Boesky” by David Hunt, p. 108 – 109, June/July 2000
Hufuudstadsbladet, “Focus på psyket” by Maria Hirvi, June 1, 2000
Helsinki Sandomat, “Valtapeliä video-installaatioissa” by Marja-Terttu Kivirinta, May 27, 2000
Vorarlberger Nachrichten, “Crashkurs für Selbstdarsteller”, May 3, 2000
Neue Voralberger Tageszeitung, “Sich selbst inszenieren” by Inge El-Himoud-Sperlich, April 29, 2000
Vorarlberger Nachrichten, “Ausstellung Chloe Piene im magazin4 in Bregenz”, April 27, 2000
Kuva, “Itsekkäitä äyriäisiä ja vankilakirjeenvaihtoa” by Laura Honkasalo, p. 6 – 7, April 3, 2000
Flash Art, Review: “Chloe Piene at Marianne Boesky” by Lisa Prior, p. 114, March/April 2000
New Yorker Magazine, Soho Art Galleries, Chloe Piene at Marianne Boesky, January 6, 2000