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Sue de Beer bio + work
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Lives and works in Berlin, Germany and New York, NY
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1998 |
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M.F.A., Columbia Univeristy, New York, NY |
1995 |
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B.F.A, Parsons School of Design, New York, NY |
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Selected
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2008
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Sue de Beer, “Permanent Revolution”, MuHKA Museum, Antwerp, Belgium
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2007
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Sue de Beer, “Permanent Revolution”, Sandroni Rey, Los Angeles, CA
Sue de Beer, “Permanent Revolution”, Arndt & Partner, Berlin, Germany
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2006 |
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Sue de Beer, “The Quickening”, Marianne Boesky Gallery, New York, NY
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2005 |
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Sue de Beer, “The Stills”, Sandroni Rey Gallery, Los Angeles, CA
Sue de Beer, “Black Sun”, curated by Shamim Momin, at Whitney Museum of American Art at Altria, New York, NY
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2004 |
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Sue de Beer, “The Dark Hearts", Sandroni Rey at Statements, Basel, Miami, FL
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2003 |
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Sue de Beer, “Hans & Grete”, Kunst Werke, Berlin, Germany
Sue de Beer, “Hans & Grete”, Postmasters Gallery, New York, NY
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2002 |
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Sue de Beer, “Photographs”, Kunstlerhaus Bethanian, Berlin, Germany
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2001 |
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Sue de Beer, “Photographs / project room: Ghost Stories Magazine”, Sandroni Rey, Los Angeles, CA
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2000 |
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Sue de Beer & Laura Parnes, “Heidi 2”, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Sue de Beer & Laura Parnes, “Heidi 2”, Deitch Projects, New York, NY
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2008 |
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Busan Biennale, Busan, Korea
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2007
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“Been Up So Long It Looks Like Down to Me”, Presentation House Gallery, Vancouver, BC, curated by Mark Soo
“Zwischen Zwei Toden (Between Two Deaths)”, Zentrum für Kunst und Medientechnologie, curated by Ellen Blumenstein and Felix Ensslin, Karlsruhe, Germany
“Neointegrity,” Derek Eller Gallery, New York, NY, July 19-August 24
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2006 |
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“Youth of Today,” curated by Matthias Ulrich, Schirn Kunsthalle, Frankfurt
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2005 |
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“Greater New York,” P.S. 1, New York, NY
“Zur Vorstellung des Terrors: Die RAF” Kunst Werke, Berlin Germany. Traveling to the Neue Galerie am Landesmuseum Joanneum, Graz, Austria
"L'Altro, lo Stesso," Curated by Irene Calderoni, FrancoSoffiantino Artecontemporanea, Torino, Italy 12 November 2005 - 14 January 2006
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2004 |
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"The Whitney Biennial," The Whitney Museum of Art, New York. Curated by Chrissie Iles, Shamim Momin, and Deb Singer
"Working in Brooklyn," The Brooklyn Museum, New York, NY
“SCREAM,” Anton Kern Gallery, New York. Curated by Fernanda Arruda and Michael Clifton. Traveling to The Moore Space, Miami FL
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2003 |
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“International Monster League,” Derek Eller Gallery, New York. Curated by Banks Violette.
“Flesh and Bone, Sue de Beer, Banks Violette and Daniel Hesidence,” Michael Steinberg Fine Art, Curated by Tracy Williams.
"Now Playing," D'Amelio Terras Gallery. Curated by Daniel Reich, Scott Hug (K48) and John Connelly.
"Adolescentes," curated by Susana Blas. Reina Sophia Museum, Madrid, Spain
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2002 |
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Melodrama, ARTIUM, Centro-Museo Vasco de Arte Contemporáneo in Vitoria-Gasteiz, Spain. Traveling to Palacio de los Condes de Gabia in Granada. Curated by Doreet LaVitte
M_ARS - Art & War, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
Identity Paradox, Austin Museum of Digital Art Austin, TX
“Yesterday was Dramatic... But Today is Okay!", Spazio Consolo, Via dell'Aprica, Organizzazione e produzione: Marella Arte Contemporanea, Italy
“Gimme Shelter: New Videos on Suburban Discomfort,” Museo Rufino Tamayo, Mexico City
“Desiring Machines, Dorsky Curatorial Projects,” Long Island City. Curated by Marcello Marvelli and Helaine Posner.
“Guide to Trust,” Yerba Buena Center, San Francisco. Curated by Jimi Dams
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2001 |
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“A Work in Progress: Selections From the New Museum Collection,” New Museum of Contemporary Art, New York, NY
“D.D.D.D.C.,” the Nexus Center, Atlanta GA.
“Fresh: The Altoids Curiously Strong Collection 1998-2000,” New Museum of Contemporary Art, New York, NY
“Dear Dead Person,” Momenta Art, Brooklyn, NY, curated by Banks Violette
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2000 |
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“Death Race 2000,” Threadwaxing Space, New York, curated by Rachael Lowther and James Dawson Hollis
“Two Friends and So On,” Andrew Kreps Gallery, New York, curated by Rob Pruitt and Jonathan Horowitz
“Emotional Rescue: The Contemporary Art Project Collection,” the Center of Contemporary Art, Seattle, WA, curated by Linda Farris
“Dirty Realism,” Robert Pearre Fine Art, Tucson, AZ
“One Night Stand,” Joao Ferreira Fine Art, Cape Town, South Africa
“The Standard Projection: 24/7,” curated by Yvonne Force, The Standard Hotel, Los Angeles, CA
“Parallax”, New Photographs, Sandroni Rey, Los Angeles, CA
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1999 |
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New Museum Holiday Benefit Exhibition, DKNY Store, New York, NY
“The Searchers,” curated by Robert Longo, Artist's Space, New York, NY
“The Mix: Permanent Collection & Loans,” curated by John Spiak, Arizona State University Art Museum, AZ
Altoids Collection Exhibition, various venues in USA
“Guest Room: Sue de Beer,” Galerie Jousse Seguin, Paris, France
“I’m a Virgin,” curated by Esther Windsor, Waiting Room, School of Art and Design, University of Wolverhampton, Wolverhampton, England
“Contact,” curated by Robert Boyd, Jack Tilton Gallery, New York, NY
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1998 |
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Benefit Exhibition, Momenta Art, Brooklyn, NY and Greene-Naftali, New York, NY
The Fifth International, curated by Chivas Clem and Jenny Bornstien, New York, NY
“Web Arte,” curated by Mark Van der Walle, San Paulo Biennial
Scope 3, curated by Pip Day, Artist's Space, New York, NY
Graduate Thesis Exhibition, Columbia University, New York, NY
Video Library, curated by Leo Koenig, David Zwirner, New York, NY
“The Sound of One Hand,” curated by Collier Schorr, Apex Art, New York, NY
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1997 |
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Benefit Exhibition, Momenta Art, Brooklyn, NY and White Columns, New York, NY
“26 Positions,” Miriam & Ira D. Wallach Gallery, New York, NY
Gramercy Park Hotel Show, Momenta Art Room 506, New York, NY
“Sue de Beer and Kristen Lucas,” curated by Erik Heist and Laura Parnes, Momenta Art, Brooklyn, NY
“Among Ourselves,” curated by Jesse Bransford, http:/sevenseven.com
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1996 |
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“Terra Bomba,” curated by Jeanette Ingberman and Papo Colo, Exit Art: The First World, New York, NY
“Sweat,” curated by Jeanette Ingberman and Papo Colo, Exit Art: The First World, New York, NY
“Instant Visions: Polaroid Photographs by Women in New York,” benefit for the New York Women's Foundation, various locations, New York, NY
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1995 |
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“Imaginary Beings,” curated by Jeanette Ingberman and Papo Colo, Exit Art: The First World, New York, NY
Undergraduate Thesis Exhibition, Parsons Exhibition Center, New York, NY
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Selected Video Screenings
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2003 |
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Sue de Beer, The Museum of Modern Art's Grammercy Theatre, New York, NY
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2002 |
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Sue de Beer, The American Academy in Berlin, Berlin, Germany
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1999 |
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Very 6, New Museum for Contemporary Art, New York, NY and Los Angeles, CA
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1998 |
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Reel New York, curated by Garrison Botts, PBS, WNET Channel 13, New York.
Hybro Video, curated by Kate Hackman and Jodi Hanel, Exit Art: The First World, New York, NY
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1997 |
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Current Undercurrent; Working in Brooklyn, The Brooklyn Museum, Brooklyn, NY
Spooling, curated by Kristin Lucas in conjunction with the Downtown Arts Festival, VOID, New York, NY
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Bibliography
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2008 |
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Rosenberg, Karen. "Uptown, Downtown, Fairs Found All Around," The New York Times, March 29, 2008
Foss, Paul. "Sue De Beer," ArtUS, Issue 21, March 2008
Willems, Brian. "Mourning Undead: The Melancholy Zombie," ArtUS, Issue 21, March 2008
Jasso, Sarvia. "Sue de Beer: Mysteries of the Screen," SOMA, February 2008
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2007 |
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de Beer, Sue “Gothic Romance Novels and the Aesthetics of Melancholy, Texte Zur Kunst, March 2007
Heiser, Jorg, Felix Ensslin, Juliane Rebentisch, Andre Rottmann and Jan Verwoert, “Powered by Emotion? / Ein Roundtablegespräch über Romantik, Kunst und Melancholie”, Texte Zur Kunste March 2007
Hübl, Michael “Between Two Deaths”, Frieze, September 2007
Nys Dambrot, Shana. “Ghosts in the Machine: Sue de Beer”, Art Review, issue 14 2007. p. 28
Peitz, Dirk, "zwischen zwei toden - between two deaths", Seuddeutsche Zeitung, 21.05.2007
Velasco, David “Sue de Beer,” Artforum, February 2007, p. 293
“Sue de Beer,” The New Yorker, January 15, 2007, p. 12
“Sue de Beer: The Quickening, Flavorpill.com, January 2007, http://nyc.flavorpill.net/73431
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2006 |
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O’Neill-Butler, Lauren. “Sue de Beer,” Artforum.com, December 2006, http://www.artforum.com/picks/section=nyc#picks12179
Jeppesen, Travis. “Puritan Fears,” Zoo Magazine, No. 10 2006
Nevitt, Naomi. “Temporary Insanity,” Nylon, February 2006
Clifton, Michael. “Art and Art Exhibitions.” Encyclopaedia Britannica, 2006. p. 156-157, il.
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2005 |
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Honigman, Ana Finel. “A Conversation with Sue de Beer,” Sculpture, September 2005
Barton, Nancy. “Artists on Artists Nancy Barton on Sue de Beer,” Bomb, Summer 2005
“What’s On,” The Art Newspaper, May 2005
Johnson, Ken. “Sue de Beer,” The New York Times, April 8, 2005
Spreen, Dierk, “Leuchtreklame Für Den Terror,” artnet Germany
Goodbody, Bridget C. “Sue de Beer - Black Sun,” Time Out NY, March 17 23, Issue 494, 2005
Fanizadeh, Andreas “Die Toen ruhen nicht,” Die Wochenzeitung, March 2, 2005
Blumenstein, Ellen, Marcus Coelen, Felix Ensslin, moderated by Martin Conrads and Ulrich Gutmair. “Drei.. Zwei.. Eins. Holger Meins!” Texte Zur Kunst, March 2005
Dhillon, Kim. “Sue de Beer She’s frighteningly good,” i-D, March 2005
Fricke, Hararld and Brigitte Wernerburg, interview. “Die Zumutung darf sehr weit gehen,” Die Taggeszeitung Kultur, February 1, 2005
Klopotek, Felix. “RAF Ausstelung, Mythos der Mitte,” Intro, February, 2005
Preuss, Sebastian. “Schlachtfeld Deutschland,” Berliner Zeitung 29 January 30, 2005
Feddersen, Jan. “Eine deutsche Familiengeschichte,” Die Tageszeitung, January 29-30, 2005
Hohmann, Silke. “Der Wille zur Bewegung,” Frankfurter Rundschau, January 29, 2005
Liebs, Holger. “Ein Moderner Totentanz,” Suddeutsche Zeitung (Munchen) January 29, 2005
Grieshaber, Kirsten “An Art Exhibition Raises the Issue of Terrorism,” The New York Times, January 29, 2005
Kuhn, Nicola. “Christian, Hans Martin und ich,” Der Tagesspiegel, Kultur, January 29, 2005
Martenstein, Harald. “Der ewige Herbst,” Der Tagesspiegel, Kultur, January 29, 2005
Blumenstein, Ellen. “Beschaftigung mit Gespenstern,” Tageszeitung (Berlin), January 27, 2005
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2004 |
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Sholis, Brian. “Sue de Beer,” ISSUE, number 8, Fall 2004
Lee, Chris. “Death Becomes Them,” Black Book, Fall 2004
Bellini, Andrea. “La Condition Humaine,” Flash Art Italy, April/May 2004
Cattelan, Maurizio. “Permanent Food,” Boiler Magazine #04
Cotter, Holland. “Duck! It’s Whitney Biennial Season Again!” The New York Times, March 7 2004
Dunn, Melissa. “Whitney Biennial 2004: A Good-Looking Corpse,” Flash Art, May/June 2004
Eva. “Teenage Art Club,” Neo 2, February March 2004
Goodbody, Brigitte. “Scream, at Anton Kern Gallery,” Time Out NY, February 5-12, 2004
Hainley, Bruce. “Teen Angle, the Art of Sue de Beer,” Artforum, January 2004
Johnson, Ken. “Scream,” The New York Times, February 13, 2004
Kimmelman, Michael. “Touching All Bases at the Biennial,” The New York Times, March 12, 2004
Liebs, Holger. “Schlaflos im Sweatshop,” Suddeutches Zeitung, Nr. 282, Feuilleton Seite 13, Dec. 4/5 2004
Lee, Chris. “Death Becomes Them,” Black Book Magazine, Fall 2004, pp190 - 192
Phanor, Alexandra. “Shock Therapy, Sue de Beer,” Nylon Magazine, November, 2004, pp 94-95
Robinson, Walter. “The 2004 Revue,” Artnet, December 31, 2004
Saltz, Jerry. “Way beyond tipsy: Are the spirits of abandon and concentration creeping back into art? Blotto, meet Buzzed,” The Village Voice, May 11, 2004
Saltz, Jerry. “Modern Gothic,” The Village Voice, February 4-10 2004
Schmit, Jason. “Whitney Bound,” V Magazine, Spring, 2004
Shollis, Brian. “In Search of the Miraculous, Sue de Beer,” Issue Magazine, Fall, 2004
Sommereyns, Omar. “The Talk of the Fair,” The Street, December 3, 2004
Stocuy, Brandon. “Band Wanted, Music Optional,” NYFA, Winter, 2004
Turner, Elisa. “In Your Face: Two exhibits take a super close look at the darker side of human experience,” The Miami Herald, January 13, 2004
Von Lillian, Titus. “Lichtsymphonien Im Schattenreich,” Qvest Magazin, Spring, 2004
Wei, Lilly. Reviews, “Whitney Biennial 2004,” Artnews, May, 2004
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2003 |
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J, J. Review, “Sam Collects: Contemporary Art Projects,” Modern Painters, Summer, 2003
Johnson, Ken. “Sue de Beer, Hans & Grete,” The New York Times, March 7, 2003.
Levin, Kim. “Sue de Beer,” The Village Voice, March 12-18, 2003, p.72
Macritchie, Lynn. “Sue de Beer,” The Financial Times (London), October 20, 2003
Moody, Tom. “Upcoming, Sue de Beer,” Digital Media Tree, October 8, 2003
Saltz, Jerry. “Babylon Rising: looking ahead to the new season, our critic finds plenty of reason to be cheerful,” The Village Voice, September 5, 2003
Thomsen, Henrike. “Wie Kaputt Wir Doch Sind: Unter der süßlichen Oberfläche zuckt das Perverse: Sue de Beer bringt mit ihrer Filminstallation “Hans and Grete” jugendliche Amokläufer und die RAF in den Kunst-Werken zusammen,” taz Berlin lokal Nr. 7173, April 10, 2003
Yablonsky, Linda. “To Thine Own Selves be True,” Artnews, November, 2003
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2002 |
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Honigman, Ana Finel. Interview with Sue de Beer “Chop Chop,” artnet, 2002
Bonetti, David. “40 Artists, One Subversive Writer,” San Franciso Chronicle, February 27, 2002, p. 1
Greene, Rachel. “Sue de Beer - Recent Photographs/ Sue de Beer - Neue Fotoarbeiten,” BE 8: Kunstlerhaus Bethanian Berlin Spring, 2002
Hennessey, Kathleen. “Guide to Trust No. 2,” digitalcity.com, February 15, 2002
Knott, Marie Luise. “Sue de Beer - Hans Und Grete,” Le Monde Diplomatique, 14 June, 2002
Mardon, Mark. “Guide to Trust No. 2,” Bay Area Reporter, 7 February, 2002
Rump, Charles. “Reflexionen über alltägliche Gewalt und das Horror-Genre: Sue de Beer im Künstlerhaus Bethanien - Reflections of Everyday Violence and the Horror Genre:
Sue de Beer at Kunstlerhaus Bethanien,” Berliner Morganpost, 4 November, 2002, reprinted in Die Welt, November 8, 2002
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2001 |
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Albiani, Rebecca. “Emotional Rescue at the Center on Contemporary Art,” ArtWeek, December, 2000, p. 27
Cotter, Holland. “’Fresh’ Altoids Curiously Strong Collection,” The New York Times, January 19, 2001
Cotter, Holland. “Dear Dead Person,” The New York Times, May 25, 2001
Hamburger, Susan. “Dear Dead Person,” Waterfront Week, May 31, 2001
Hilger, Stephen. “Sue de Beer at Sandroni Rey Gallery,” Tema Celeste, Summer, 2001
Hilger, Stephen. “Sue de Beer and Laura Parnes at Los Angeles Contemporary Exhibitions,”
Art Issues, January/February, 2001
Hilgenstock, Andrea. “Es Wird Blut Fleisen. Nicht Zimperlich: Mit ihrer Kunst hinterfragt
Sue de Beer, warum Gewalt cool sein kann,” Berliner Morgenpost, October 11, 2001
Feaster, Felecia. “Picture this: Month Long Celebration showcases photography’s brightest talents,” Creative Loafing Atlanta, October 3, 2001
Fox, Catherine. “A Dirty Shame,” Atlanta Journal and Constitution, September 28, 2001
Gioni, Massimiliano. “New York Cut Up, Contemporary Art at a Glance,” Flash Art, January-February, 2001
Nys Dambrot, Shana. “Paul McCarthy at Patrick Painter, Sue de Beer and Laura Parnes at
LACE,” ArtWeek, December, 2000, p. 20
Ollman, Leah. “Pop Violence: Sue de Beer,” Los Angeles Times, June 1, 2001
Tumlir, Jan. “Seducing the Sequel,” ArtText, No. 72, February-April, 2001
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2000 |
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Ayerza, Josefina & Leibowitz, Cathy. “Heidi 2 - Sue de Beer/Laura Parnes,” Lacanian Ink, May, 2000, pp. 92-103
Butler, Kateri. “Room with a Loop,” LA Weekly, 2000
Cohen, Michael. “The Love Mechanics,” Flash Art, July, 2000
Dannatt, Adrian. “Grrrls on film: Celluloid send-up,” The Art Newspaper, February, 2000
Hegarty, Laurence. “Sue de Beer and Laura Parnes,”, New Art Examiner, June, 2000
Hunt, David. “Sue de Beer and Laura Parnes, Heidi 2,” Time Out New York, February 17-24, 2000
Johnson, Ken. “Two Friends and So On,” The New York Times, July 21, 2000
Munitz, Benita. “Visual Surprises From New York,” Cape Times, January 18, 2000
Ollman, Leah. “Darkness & Light,” Los Angeles Times, March 31, 2000
Rush, Michael. “Sue de Beer and Laura Parnes at Deitch Projects,” Art in America, November, 2000
Schmid, Lydia. “Kunst-Brooklyn,” Elle, August, 2000
Sharp, Amanda. “Clip Joint - Video Art Checks Into LA,” Frieze, March, 2000
Smith, Roberta. ”Sue de Beer and Laura Parnes, Heidi 2,” The New York Times, February 18, 2000
Van Bosch, Cobus. “Pap van meet af styl aangemaak in nuwe kunsjaar,” Die Burger, January 13, 2000
Williams, Gregory. “Sue de Beer and Laura Parnes,” Frieze, June, 2000
Willis, Holly. “Heidi 2: The Unauthorized Sequel,” LA Weekly, October 27, 2000
“Sue de Beer and Laura Parnes,” Village Voice, February 15, 2000
“Sue de Beer and Laura Parnes,” The New Yorker, February 14, 2000
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1999 |
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Kinsella, Eileen. “Cutting-Edge Art Does Business,” The Wall Street Journal, February 12, 1999, p. W9
Johnson, Ken. “Contact, Jack Tilton,” The New York Times, January 22, 1999, p. E40
Mehalic, Jessica. “Coming Soon to a Museum Near You,” Mademoiselle, September, 1999, p. 51
Moody, Tom. “Double the Transgression, Double the Fun - Sue de Beer and Laura Parnes,”
Very, September, 1999, pp. 16-17
Neel, Alex. “Contact,” Time Out New York, January 28 - February 4, 1999, p. 67
Saltz, Jerry. “Hungry Hearts: A Romp Through the Fall Art Season,” Village Voice, Vol. XLIV, No. 36, September 14, 1999, p. 69
Stassart, Gilles. “LA <Junk Food>: Terrible Jeu Alimentaire,” Beaux Arts, May, 1999, p. 22
von Schlegell, Mark. “digitalia WDBNMSWD DIGITALIA REMIX,” New York Arts, July, 1999, pp. 9-11
von Schlegell, Mark. “Is Herr Doktor in the House?” New York Arts, March/April, 1999, pp.48-49
Zizek, Slavoj. “Femininity, between Goodness and Act,” Lacanian Ink 14, Spring, 1999, pp. 38-39
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1998 |
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Nassau, Lawrence. “The Sound of One Hand: The Collection of Collier Schorr,” New York Arts, May, 1998, p. 15
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1997 |
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Goldberg, Rose Lee. “Terra Bomba, Exit Art,” Artforum, April, 1997, p. 93
Raczka, Robert. “Terra Bomba, Exit Art,” New Art Examiner, April, 1997, p. 48
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1995 |
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Karmel, Pepe. “Persistence of Pagan Myth in Modern Imagination,” The New York Times, December 29, 1995, p. C26
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Publications
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2007 |
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Sergio Edelsztein, Jens Hoffmann, Lisette Lagnado, Midori Matsui, Shamim Momin, Pi Li,
Gloria Sutton, Olesya Turkina, Philippe Vergne, The Wrong Gallery eds. Ice CREAM, Phaidon Press (April 30 2007)
Blumenstein, Ellen and Ensslin, Felix eds. Between Two Deathsˆ, Hatje Cantz, English, 2007
Williams, Gilda, ed. The Gothic (Documents of Contemporary Art), The MIT Press (October 31, 2007)
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2006 |
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De Beer, Sue. The Quickening. New York: Marianne Boesky Gallery and Berlin: Arndt & Partner, 2006
Hollein, Maz and Ulrich, Matthias eds. Die Jugend von heute / the Youth of Today, Publisher: Walther Konig, Language, German and English 2006
Snellman, Natascha ed. I Heart Darkness, 2nd Cannons Publications, Los Angeles 2006
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2005 |
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Biesenbach, Klaus, ed. Greater New York, P.S.1 Contemorary Art Center, New York (July 15, 2005)
Biesenbach, Klaus, ed. Curated by Klaus Biesenbach, Ellen Blumenstein and Felix Ensslin.
Zur Vorstellung des Terrors: Die RAF catalogue. Berlin: Kunst Werke, 2005
Emerge: Sue de Beer. New York: Downtown Arts Projects, 2005
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2004 |
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Whitney Biennial 2004, Curated by Chrissy Iles, Shamim Momin, Debra Singer, Publications and New Media Department at the Whitney Museum of American Art and Harry Abrams, Inc., New York and Steidl, Göttingen, 2004
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2002 |
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Andersson, Patrik & Steedman, Judith ed. inside magazines: independentpopculturemagazines. London: Thames & Hudson Ltd., 2002Cattelan, Maurizio, Funke, Bettina, Gioni, Massimo & Subotnick, Ali. Charley 01. Les Presses du Reel / Janvier. D.A.P. (Distributed Art Publishers), 2002
Dams, Jimi ed., Guide To Trust ‘Gtt2’, exhibition catalogue. San Francisco: Yerba Buena Center for the Arts, 701 Mission Street, 2002
Harten, Doreet laVitte ed. Melodrama, exhibition catalogue, ARTIUM Zentro-Museoa, Centro
Jose Guerrero & Museo de Arte Contmporanea de Vigo, 2002
Sue de Beer, Hans & Grete, monograph. Texts by Alissa Bennet, Dennis Cooper, and Stephen
Hilger. American Academy in Berlin / Philip Morris, 2002
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2001 |
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McKinney, Casey ed. D.D.D.D.C. catalogue. Texts by Dodie Belamy, Alissa Bennet, Matthew Byloos, Dennis Cooper, Trinie Dalton, Lia Gangitano, Brian Pera, Ian Svenonius,
Mitchell Watkins. Atlanta: Nexus Center, 2001
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2000 |
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McKinney, Casey, ed. Mall Punk Magazine, Fall 2000
Heist, Eric & Parnes, Laura, ed. Momenta Art past exhibitions catalogue, 2000
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1999 |
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McKinney, Casey ed. Animal Stories Magazine, Fall 1999
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1995 |
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Bransford, Jesse, ed. Epicycle Motorcycle catalogue. Edition of 500, 1995
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Awards and Grants
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2007 |
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Artist in Residence, FLACC Workplace for Visual Artists, Genk, Belgium
Faculty Challenge Grant, New York University
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2001-02 |
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Philip Morris Emerging Artist Prize, the American Academy in Berlin
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1999 |
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Wexner Center, artist-in-residence, the Wexner Center, Ohio
The Joan Sovern Award for Excellence in Sculpture
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1998-98 |
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The Franklin Furnace Fund for Performance Art
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Public Collections
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The Brooklyn Museum, New York
The New Museum of Contemporary Art, New York
The New School for Social Research, New York
The Seattle Contemporary, Seattle, Washington
The Whitney Museum of American Art, New York
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